Showing posts with label K-pop. Show all posts

You’ve worked hard, Jonghyun, you did well


 2017 was a hard year for Shawols.

A case filed last August immediately divided the fans. A petition that demanded that SHINee’s leader, Onew, be taken off the team quickly followed suit, while other Shawols intensely fought to be heard that they want the group to remain intact.

We got emotional over seeing Dubu on SM Entertainment’s Season’s Greetings SHINee teaser, ending his four-month hiatus with a two-second appearance on the said video.

But we never thought things could get more heartbreaking.

On the night of December 18, news of Jonghyun’s passing flooded our digital feeds. Headline after headline reported his alleged suicide: the SHINee member was said to be rushed to the hospital after he was found unconscious in a Seoul apartment.

He was only 27. That evening, we all held on to the hope that he would regain his consciousness. And honestly, that is one wish all fans still have in our hearts.

Jonghyun’s death feels like losing a longtime friend. Fans have known and grown with the idol group, and with its lead singer Jonghyun, for almost a decade.



In 2008, this second-generation K-pop group was the youth’s icon—and continues to be the reminder of the youth we once had. In our coming-of-age years, we sang along to “Replay,” “JULIETTE,” “Amigo,” “Ring Ding Dong” and “Lucifer. As the years went by, our tunes changed to “Girls, Girls, Girls,” “View,” “Married to the Music” and “Feel Good.”

And all these years, Jonghyun had always been the first to sing and introduce that SHINee’s back.

For the rest of the world, he is this South Korean group’s lead singer. But for the fans, we know him as the one who always strikes that first note. The one who constantly slays that first verse of the comeback song with his whistling vocals—a prince of K-pop in his own right.

Growing up with SHINee meant they were part of a past we fondly look back to. They were part of our after-school routines and conversations, and it is with this K-pop group that we learned how an “obsession” plays out.

Even those who didn’t have Bling-bling Jonghyun as their bias loved him. He brought good energy to every concert and show we saw him in—whether we were watching him win Yoogeun’s love, act as his embarrassed alter ego Jong-Mi, or witness his comedic lashing out at the production teams of variety shows.

Jonghyun was the funny one and claimed to be the most handsome member in the group. He was always wearing a smile on his face, and laughed ridiculously like a seal when humored—his smile and laugh were very infectious.



Until now, during reunions, we talk about SHINee, how the group has dynamically changed their sound and identity, and how each member has begun picking up a talent after another to add to their entertainment arsenal.

We were there since SHINee’s debut, we’re still here for every comeback, and we are ready to continue following our favorite idols in whatever track they were taking—solo music careers, dramatic acting, theater, variety and reality TV.

This year, we had been talking about how the group neared the damning expiration date of a K-pop group as the group will celebrate its 10th anniversary in 2018. We rallied for “5HINee” to be together when they reach this milestone, only to feel defeated on that Monday night.

I remember watching clips of Jonghyun’s “Inspired” solo concert just a week ago. The same light stick ocean that was glowed brightly in aqua surrounded him. The fans eagerly sang along to each track, never letting that stadium be drowned by silence even for just a second.



He sang his hit single “Lonely” in a duet with the crowd. He never allowed himself sing the word “lonely” on stage, and I hope that at that very moment, he had the company he needed, even just for a while.

Thank you, Jonghyun, for every song that inspired us to be in touch with our own emotions as you were with yours.

Thank you for the light you brought to countless people who had the pleasure of knowing you and to the millions of fans who will continue to feel your loss.

You’ve worked hard, our Jonghyun, you did well.


This blog post previously appeared as an online article published 
in December 2017 by Inquirer Super.

The mitosis of science and music in YOONCELL


Minutes before her set, Jeong Yun-jung picks up her guitar and slings it to her body. She takes tiny steps to reach the middle of the platform, nervous to face her spectators for the day.

On the stage, she is YOONCELL.

The other side of K-pop: taking the Korean music industry back to basics


There’s a fine line between being a musician and an idol.

We’re all familiar with the latter, as K-pop grew from a genre into a cultural lifestyle. The global music phenomenon turned its fans to loyalists who call themselves either a “stan” or “trash” of countless “biases.”

In English, these K-pop listeners have turned into obsessive fans, identifying themselves as belonging to multiple fan bases of idols from different entertainment companies.

It’s easy to spot an idol. Usually belonging to a group, idols often sport identical or thematic clothing. Their crazy-colored hairdos also make them hard not to miss. They also have synchronized group greetings that, by now, fans have memorized.

Fans look forward to each idol group’s comebacks, and these dictate the next concept the group partakes. Each concept is a representation of something new and fresh—making idols change into skin that are always crazier than the last.

We also know how a K-pop star’s story usually begins: They audition in their early teens and spend years training to finally debut as an idol.

Idols are groomed to become what they are today. While we get a glimpse of their personality on variety shows, short interviews and behind-the-scenes clips, a bulk of their image is built on trends and strategies.

They sing chart-topping music that take the global stage by storm, but how much of the music actually resonates with those that perform them?

On the other side of K-pop are Korean musicians who are starting to give idols a run for their money. The country’s current music trend is shifting the focus on individual artists.

K-pop undeniably redefined the music industry, but its local market recognizes the need to go back to basics: Discovering artists who create their own content, and honing homegrown talent that no longer needs to be dictated upon. And the rest of the world is starting to take notice, too.

YEIN redefines classic


YEIN is a siren. Her voice sounds delicate, often with a seemingly whispered flow, but her serene storytelling floods listeners with emotions. Her first digital album “5” is available on Spotify. Here, she talks about pioneering her genre, Future Classic:

I just love to sing. I say what I want to and represent myself whenever I sing.

I think these are what I do best even when I’m still so into so many art forms. I like combining them. I consider art as one—you can separate and categorize them, but eventually they are one in a big way.

There are different stories in each and every song I write and sing. When I finish one, I listen to it and it makes me feel really peaceful—and I want people to experience the same thing. That’s why I think I try hard to bring in that kind of naturism feel, that kind of atmosphere into my music. I’d like to think that the tone of my voice could make them feel at ease and relaxed.

The story on YEIN




“This is the best interview I’ve had on this whole trip,” I told YEIN as we stood up to wrap up our conversation.

And I really meant it. It was already our third day in Korea for the Universal Music press junket and we had five interviews with K-indie artists scheduled on that day alone.

I needed a translator for most of the interviews I conducted during the trip, which badly made me want to study the Korean language all the more. (If I knew the language, I wouldn’t have to wait for my K-drama episodes to be subbed, too.)

A lot of things do get lost in translation, and I can’t stress how frustratingly true this was in my case. I felt like the artists I spoke to were opening up about a lot of things I couldn’t understand but wanted to know about—there was interest in their tone and sincerity on their faces as they explained and shared their experiences. I couldn’t even ask the right follow-up questions. I had a time limit to be concerned about as well.

The DΞΔN’s list


At Greenplugged Seoul, DEAN is a headliner—and hours before he even occupied the music festival’s Sky stage, the crowd on the standing zone begins to thicken, waiting for him to take the reins from his fellow hip-hop and rap artists. As DEAN begins his sound check, fans start cheering, while some are even close to crying.

The sun usually sets late in Korea, and as it melts on the horizon with hued streaks of orange and pink, the stage’s screen replicates the psychedelic colors, cueing the alternative R&B artist to start serenading the hyped crowd as the hour finally enters the night. The clock turns to 7 o’clock, and DEAN’s music begins to play.

Greenplugged Seoul is the next big international music festival


It is the beginning of summer in Seoul. On a weekend, people from the city flock to Nanji Hangang Park, a perfect space to seek shade under the trees as the spring breeze still lingers, with scenery that breaks the concrete horizon.

Tents were set up all over the park’s grounds, and its green carpets of grass were replaced with colorful mats and rugs. People brought their bikes, scooters and skateboards, while others carried picnic baskets.

On the weekend of May 21, the park was host to the city’s version of Coachella, and we discovered every Korean musicophile’s top secret: the Greenplugged Seoul Music Festival.

It was a celebration of (and testament to) Korea’s massive local and independent music scene. It was an epic experience with four major stages and three minor sets located all over Nanji Hangang Park. On its eight straight year, the two-day Greenplugged festival featured a total of 65 artists in an all-local lineup.